Aimee Stroud

Amsterdam

With Fabrique since 2025 3 works Former print designer for Alexander McQueen and Calvin Klein, and print consultant to Off-White. She replaces paint with sunlight, imprinting flowers onto silver-salt photographic paper.

Inspiration

For Aimee Stroud, the Fabrique collaboration begins with a single flower and a patch of sunlight. Working in handmade sun-prints on expired photo paper, she lets shadows from curled petals and jagged sepals settle into their own tonal depth, so each single-toned image reads less like a photograph and more like a record of the flower growing.

Works Background Fabs

Works

Sleeveless ivory top with pink floral print and draped cowl neck, front view on model

Sleeveless cream top with large purple and pink floral print, draped cowl neckline, front view on model.

Olivia 花卉印花垂領無袖上衣，輕薄雪紡

$1,308.00

Designed by Aimee Stroud

Front view of a multicolor silk double crepe sleeveless blouse with handpainted floral pattern and neck tie detail on model

Sleeveless silk double crepe blouse with handpainted floral print, neck tie, and fabric-covered buttons, front view on model

Charlotte 手繪花卉領帶無袖襯衫，絲綢雙皺褶布

$1,428.00

Designed by Aimee Stroud

White linen-blend wide leg pants with handpainted floral print and elastic waistband, front view on model.

Front view of white linen blend wide leg pants with handpainted floral print and elastic waist on model

Emma 手繪花卉彈性腰寬褲，採用亞麻混紡布

$1,668.00

Designed by Aimee Stroud

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Olivia 花卉印花垂領無袖上衣，輕薄雪紡

$1,308.00

Designed by Aimee Stroud

Charlotte 手繪花卉領帶無袖襯衫，絲綢雙皺褶布

$1,428.00

Designed by Aimee Stroud

Emma 手繪花卉彈性腰寬褲，採用亞麻混紡布

$1,668.00

Designed by Aimee Stroud

Background

Former print designer for Alexander McQueen and Calvin Klein, and print consultant to Off-White. She replaces paint with sunlight, imprinting flowers onto silver-salt photographic paper.

Most print designs start with a paintbrush or Procreate on Ipad. Aimee Stroud starts with a flower and a patch of sunlight. Her signature technique is a handmade sun-print process, cruder and slower than even a basic box camera, where she sets a single bloom on light-sensitive paper and just waits for daylight to do the work. No sketching, no mixing colors, no camera shutter. Just the flower, the paper, and time.

That habit of working outside the sketchbook goes back to her training at Central Saint Martins. It carried her through print design roles at Alexander McQueen and then Calvin Klein, and into a consulting job on print for Off-White — three labels that don't have much in common except needing someone who actually understands pattern, not just decoration.

Where a lot of designers push their own ideas onto a piece, Stroud tends to do the opposite: she pays attention to what the flower and the light are already doing, and lets that lead. Now working out of Amsterdam, she treats the whole practice less like design and more like tending something — the end result, in her case, is a garden that's entirely her own.